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	<title>Camels With Hammers &#187; Dionysian</title>
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		<title>Perfume: The Story of a Murderer: The Best Film of 2006</title>
		<link>http://camelswithhammers.com/2008/05/12/perfume-the-story-of-a-murderer-the-best-film-of-2006/</link>
		<comments>http://camelswithhammers.com/2008/05/12/perfume-the-story-of-a-murderer-the-best-film-of-2006/#comments</comments>
		<pubDate>Mon, 12 May 2008 22:46:36 +0000</pubDate>
		<dc:creator>Daniel Fincke</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Nietzsche]]></category>
		<category><![CDATA[Dan Fincke]]></category>
		<category><![CDATA[Dionysian]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Perfume: The Story of a Murderer]]></category>
		<category><![CDATA[Tykwer]]></category>

		<guid isPermaLink="false">http://blog.nietzscheanideas.com/?p=10</guid>
		<description><![CDATA[[youtube=http://www.youtube.com/watch?v=j3VqlgARfkE&#38;hl=en] [written January 4, 2007] Best film of 2006, in my opinion. Just a stunning film. I was in love with it early on and then it took fascinating turn after fascinating turn and just became deeper and deeper. It&#8217;s a truly sublime, sensual film that manages to communicate the power of scent through its [...]]]></description>
			<content:encoded><![CDATA[<p>[youtube=http://www.youtube.com/watch?v=j3VqlgARfkE&amp;hl=en]<br />
[written January 4, 2007]</p>
<p>Best film of 2006, in my opinion. Just a stunning film. I was in love with it early on and then it took fascinating turn after fascinating turn and just became deeper and deeper.</p>
<p>It&#8217;s a truly sublime, sensual film that manages to communicate the power of scent through its medium&#8217;s power of visual imagery, through an incredibly seductive engagement in sensuality.</p>
<p>The film is a wonderful meditation on contingency and the pained desire for eternal possession of what is only contingent and passing and fleeting. It&#8217;s a film about the rise of beauty and love out of the muck and filth and violence of the filthiest modes of life.</p>
<p>It is the greatest screen portrayal of a super villain I have ever ever seen. It is a truly great and unconventional seriel killer film that manages not just to explore the narcissism, sociopathy, possessiveness, and desire for consumption that drives the seriel killer&#8217;s pathology, but also to make the viewer feel it by making the purity and intensity and aesthetic drive of the villain relatable in a perverse way; making the viewer forget the monstrous detachment from humanity is an abberation&#8212;the way the monster himself has let himself let his desire overwhelm any social feeling.</p>
<p>It is a visionary portrait of evil, of demagoguery, of genius, of beauty, of power, and of love.</p>
<p>It is a legend that plays like 18th Century science fiction.</p>
<p>And in a few scenes, it gives a fascinating portrait of what Nietzsche characterized as the Dionysian/Apollinian dynamic but I shall not elaborate here out of spoiler concerns.  Perhaps in another post for those who&#8217;ve seen the film already.</p>
<p>I just loved it. I couldn&#8217;t get over it when I got out of it, my head was swimming.</p>
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